My brother Geoff is an amateur tiger conservationist, and he and I were talking the other day about a recent New Yorker article I recommended he read. It concerned a telegenic American couple named Mark and Delia Owens, whose passion for African elephants seems to have gotten out of hand.
Perhaps that is putting it mildly, as there's evidence that their troubled son shot an unarmed poacher to death as an ABC News team stood by, that Mark may have retrieved the body and dumped it into a nearby river, and that at least a portion of the ABC crew went along with the coverup.
There's less debate among conservationists than you might imagine about whether or not it is justified to shoot poachers on sight, especially when they're carrying AK-47's, and especially when whole species are being hunted to extinction for their parts, including several on which Chinese men are apparently willing to spend millions of yuan to avoid taking Viagra.
But as Geoff and I got to talking, we returned to a beef we both have with Animal Planet, The Discovery Channel, National Geographic, and PBS, when it comes to nature documentaries. We were brought up on Mutual of Omaha's Animal Kingdom with Merlin Perkins, and Walt Disney's Truelife Adventures, and both of us recognize the extraordinary improvements that have been made to the genre.
We are agreed that no-one ever wrote a better documentary script than David Attenborough, and we thrill to the footage intrepid teams of cinematographers have captured for such series as Nature, Blue Planet and Life, including, recently, astounding images shot through falling snow of that most elusive of cats, the snow leopard, dragging its kill up a rocky Himalayan slope.
But our complaint is with the producers of a lot of other wildlife documentaries who, like the writers of historical romances set in exotic places, center their stories around white people instead of the real heroes of animal conservancy: local game wardens and animal conservationists.
With little remuneration and no fanfare; at risk to their lives; and often in defiance of their own governments; they are the ones who strive most courageously to sustain the world's wildlife. And yet, at best, they are relegated in most animal documentaries to bit parts: as loyal guides and faithful sidekicks to the sahibs and bwanas who come rolling in from L.A. with their film crews, safari jackets, lomotil, and little bottles of Purell: peppy, entrepreneurial, self dramatizing young people who have narrowly chosen animal conservation over skydiving or bungee jumping.
We know of a few steadfast indigenes who have been featured, notably Geoff's friends Fateh Singh and the late Billy Arjan Singh, both tiger wallas of irresistible charisma, and I suppose a producer would argue that Western viewers need someone on the screen with whom they can identify. But it seems unfortunate and shortsighted to neglect the real heros of animal conservation and to understimate our capacity to identify with them.
Perhaps that is putting it mildly, as there's evidence that their troubled son shot an unarmed poacher to death as an ABC News team stood by, that Mark may have retrieved the body and dumped it into a nearby river, and that at least a portion of the ABC crew went along with the coverup.
There's less debate among conservationists than you might imagine about whether or not it is justified to shoot poachers on sight, especially when they're carrying AK-47's, and especially when whole species are being hunted to extinction for their parts, including several on which Chinese men are apparently willing to spend millions of yuan to avoid taking Viagra.
But as Geoff and I got to talking, we returned to a beef we both have with Animal Planet, The Discovery Channel, National Geographic, and PBS, when it comes to nature documentaries. We were brought up on Mutual of Omaha's Animal Kingdom with Merlin Perkins, and Walt Disney's Truelife Adventures, and both of us recognize the extraordinary improvements that have been made to the genre.
We are agreed that no-one ever wrote a better documentary script than David Attenborough, and we thrill to the footage intrepid teams of cinematographers have captured for such series as Nature, Blue Planet and Life, including, recently, astounding images shot through falling snow of that most elusive of cats, the snow leopard, dragging its kill up a rocky Himalayan slope.
But our complaint is with the producers of a lot of other wildlife documentaries who, like the writers of historical romances set in exotic places, center their stories around white people instead of the real heroes of animal conservancy: local game wardens and animal conservationists.
With little remuneration and no fanfare; at risk to their lives; and often in defiance of their own governments; they are the ones who strive most courageously to sustain the world's wildlife. And yet, at best, they are relegated in most animal documentaries to bit parts: as loyal guides and faithful sidekicks to the sahibs and bwanas who come rolling in from L.A. with their film crews, safari jackets, lomotil, and little bottles of Purell: peppy, entrepreneurial, self dramatizing young people who have narrowly chosen animal conservation over skydiving or bungee jumping.
We know of a few steadfast indigenes who have been featured, notably Geoff's friends Fateh Singh and the late Billy Arjan Singh, both tiger wallas of irresistible charisma, and I suppose a producer would argue that Western viewers need someone on the screen with whom they can identify. But it seems unfortunate and shortsighted to neglect the real heros of animal conservation and to understimate our capacity to identify with them.
This. Is hilarious. And very true. Just because the White Guy is willing to parachute in on-camera doesn't mean he should be the hero.
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